Michel Leiris n'en ressort pas grandi ; il montre à la fois son racisme profond et probablement inconscient chez cet adversaire de la colonisation, de la brutalité et de la méchanceté envers ses compagnons et serviteurs noirs, de la malhonnêteté sans honte (vol pur et simple d'objets). Michel Leiris, French cultural anthropologist, born in Paris (d. 1990) 1901 Highlights. Translated by Richard Sieburth. By Michel Leiris. Our editors will review what you’ve submitted and determine whether to revise the article. Michel Leiris obtained his baccalauréat in philosophy at the Lycée Janson de Sailly in 1918 and after a brief attempt at studying chemistry, he developed a strong interest in jazz and poetry. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the ‘secretary-archivist’ for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. In 1961, Leiris was made head of research in ethnography at the C.N.R.S. "Déclaration sur le droit à l'insoumission dans la guerre d'Algérie, "Gradhiva - Revue d'anthropologie et d'histoire des arts", London International Surrealist Exhibition, https://en.wikipedia.org/w/index.php?title=Michel_Leiris&oldid=1006857451, Wikipedia introduction cleanup from October 2017, Articles covered by WikiProject Wikify from October 2017, All articles covered by WikiProject Wikify, Articles needing additional references from October 2017, All articles needing additional references, Articles with multiple maintenance issues, Articles with missing Wikidata information, Articles with infoboxes completely from Wikidata, Articles using Template Infobox person Wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 February 2021, at 04:58. 119 years, 9 months and 26 days Leap Year: No Generation Greatest Generation Chinese Zodiac: Ox Star Sign: Taurus. Leiris, while … This is the first full-length study in English of the work of Michel Leiris, a central figure in contemporary French culture. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get a Britannica Premium subscription and gain access to exclusive content. Michel Leiris. Translated by Richard Howard. Born in 1901, Michel Leiris … Olivier Barrot in 1996, against an African backdrop, presents Michel Leiris’s Miroir de l’Afrique, a collection of his writings on Africa, published by … See more ideas about michele, dogon, francis bacon. Following a falling-out with the surrealist leader André Breton in 1929, Leiris contributed an essay to the anti-Breton pamphlet Un Cadavre,[7] and joined Bataille's team as a sub-editor for Documents, to which he also regularly contributed articles such as “Notes on Two Microcosmic Figures of the 14th and 15th Centuries” (1929, issue 1), “In Connection with the ‘Musée des Sorciers'" (1929, issue 2), "Civilisation" (1929, issue 4), “The ‘Caput Mortuum’ or the Alchemist's Wife” (1930, issue 8), and on artists such as Giacometti, Miró, Picasso, and the 16th Century painter Antoine Caron. In Politics, Writing, Mutilation, Allan Stoekl emphasizes their role as precursors, … Histoire d'une petite fille , Laure, Hors commerce (Paris), [1943?] Michel Leiris obtained his baccalauréat in philosophy at the Lycée Janson de Sailly in 1918 and after a brief attempt at studying chemistry, he developed a strong interest in jazz and poetry. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound, and rhythm. The work of Georges Bataille, Maurice Blanchot, Raymond Roussel, Michel Leiris, and Francis Ponge in the 1930s and 1940s amounts to a prehistory of today’s theoretical debates; the writings of Foucault and Derrida in particular would have been unthinkable outside the context provided by these writers. «Michel Leiris et la fuite impossible: ethnographie, autobiographie et altérité féminine dans L’Afrique fantôme», MLN, ... “Errare humanum est, perseverare diabolicum: modalités de la correction dans les écrits de la Nouvelle-France.” Errances, égarements, erreurs et hérésies au XVII e siècle, 45 th Annual Conference of North American Society for Seventeenth-Century … In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the “secretary-archivist” for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Upon retrieving it he discovers to his delight that it is not broken. Capitales des marges : Henri Michaux, Michel Leiris, Aimé Césaire ou le sacre des à-côtés As a member of Jean-Paul Sartre's editorial committee for Les Temps modernes,[9] Leiris was involved in a series of political struggles, including the Algerian War, and was one of the first to sign the Déclaration sur le droit à l'insoumission dans la guerre d'Algérie,[10] the 1960 manifesto supporting the fight against the colonial forces in Algeria. Late Picasso Paintings, Sculpture, Drawing, Prints 1953-1972. Michel Leiris, a French anthropologist and Surrealist writer who attracted international attention by chronicling his own obsessions and fears, died Sunday in Saint-Hilaire, southwest of Paris. In 1939 Leiris published the autobiographical L’Âge d’homme (Manhood), which attracted much attention and was reissued in 1946. Please refer to the appropriate style manual or other sources if you have any questions. Through Masson, Leiris became a member of the Surrealist movement, contributed to La Révolution surréaliste,[4] published Simulacre (1925),[5] and Le Point Cardinal (1927), and wrote a surrealist novel Aurora (1927–28; first published in 1946). Leiris, while … Leiris, while maintaining the … Upon his return, he started his practice as an ethnographer at the Musée de l'Homme, a position he kept until 1971. Davis has also written stories which reference Leiris and thus position him as a precursor. It explores Leiris's participation in some of the most striking intellectual and artistic movements of the twentieth-century: surrealism, ethnography and existentialism. 8 Roland Barthes, 'Texte (Théorie du)' in Encyclopaedia Universalis ( 1 9 7 3 ) , XV, p p . While "Mors" seems more focused than the earlier sections, it still proceeds by association, … Nights As Day, Days As Night by Michel Leiris: 458: Vercoquin et le plancton by Boris Vian: 464: Letters: Summer 1926 by Marina Tsvetayeva: 481: Concrete by Thomas Bernhard: 490: Façons d'endormi, façons d'éveillé by Henri Michaux: 493: Correction by Thomas Bernhard: 512: Les trois arbres de Palzem by Jean Giono: 527: Quand vient la fin; suivi de, Après la fin by … Let us know if you have suggestions to improve this article (requires login). Leiris, while … Self-deprecating and punitive, the work catalogs Leiris’ physical and moral flaws; he introduced the 1946 edition with an essay, “De la littérature considérée comme une tauromachie” (1946; The Autobiographer as Torero), comparing the courage required to write with that required of a matador. Born: 20-Apr-1901 Birthplace: Paris, France Died: 30-Sep-1990 Location of death: Saint-Hilaire, Essonne, France Cause of death: unspecified Remains: Cremated, Cimetière du Père Lachaise, Paris, France Gender: Male Race or Ethnicity: White Sexual orientation: Straight Occupation: Author Nationality: France Executive summary: … translation, Spurl Editions, 2017). Portrait of Michel Leiris (sometimes Study for Portrait of Michel Leiris) is a 1976 oil on canvas panel painting by the British artist Francis Bacon. Poetry is a vast subject, as old as history and older, present wherever religion is present, possibly—under…, France, country of northwestern Europe. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the “secretary-archivist” for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Considered a leading figure in 20th century French literature, Michel Leiris left a considerable number of works, as diverse as they are numerous, from autobiographical works such as L'Age d'homme (1939), La Règle du jeu (1948–1976) and his Journal 1922-1989 (published postmortem in 1992); art criticism such as Au verso des images (1980) or Francis Bacon face et profil (1983); music criticism such as Operratiques (1992); and scientific contributions such as La Langue secrète des Dogons de Saga (1948) and Race et civilisation (1951). Michel Leiris, L'Age d'homme (Paris, Gallimard, 1 9 3 9 ) . Leiris's annotations consist only of a list of three pages of special impact to him, written in the elegant hand of a bygone era, and small crosses on … Michel Leiris, (born April 20, 1901, Paris, France—died Sept. 30, 1990, Saint-Hilaire), French writer who was a pioneer in modern confessional literature and was also a noted anthropologist, poet, and art critic. His Journal 1922–1989 was published in 1992. Best known for his four-volume autobiography La r gle du jeu (1948 76), he was the author of an astonishing range of works including poetry, criticism, ethnography, sociology, and art history. Michel Leiris (1901 90) was one of the most influential French intellectuals and writers of the twentieth century. The young child Leiris has dropped a lead soldier. This article takes two instances of circumstantial or “contingent“ encounters - Jean-Luc Nancy's reading of Michel Leiris and Jacques Derrida's reading of Jean-Luc Nancy, and the points of contact between these encounters - in order to foreground the primacy of touch in Nancy's thought, and to delineate more precisely the haptic quality of his own poetic practice of reading … AKA Julien Michel Leiris. These latter take the form of actual corrections, where Leiris had misquoted songs (Scraps 11; La Regle 299), and reflections on the sound of words (Scraps 10-11; La Regle 297-99). Leiris studied at the Sorbonne (University of Paris) and at the School for Advanced Scientific and Religious Studies. Bounded by the Atlantic Ocean and the…, Essay, an analytic, interpretative, or critical literary composition usually much shorter and less systematic and formal than a dissertation or thesis and usually dealing with its subject from a limited and often personal point of view. In the preface to *Haut Mal, suivi de Autres Lancers (Gallimard 1969) he is quoted as saying that "the practice of poetry enables us to posit the Other as an equal" and that poetic inspiration is "a very rare thing, a fleeting gift from Heaven, to which the poet needs to be, at the price of an absolute purity, receptive - and to pay with his unhappiness for the benefits derived from this blessing. In 1948 he began another autobiography, La Règle du jeu (“The Rules of the Game”), which was published in four volumes as Biffures (1948; “Erasures”), Fourbis (1955; “Odds and Ends”), Fibrilles (1966; “Fibrils”), and Frêle Bruit (1976; “Frail Noise”) and which was replete with memories of childhood humiliations, sexual fantasies, and contemplations of death. With Jean Jamin, Leiris founded Gradhiva,[14] a journal of anthropology in 1986. Omissions? It is the first of two portraits Bacon made of his close friend, the French surrealist writer and anthropologist Michel Leiris; the second followed in 1978. Leiris was a member of the French ethnographic expedition, led by Marcel Griaule, that traveled across central Africa from Dakar, Senegal, to Djibouti between 1931 and 1933, bringing back thousands of objects to form the core of the anthropological collections of the Trocadéro Museum and later the Musée de l’homme. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. From this experience, Leiris published his first important book in 1934, L’Afrique fantôme, combining both an ethnographic study and an autobiographical project, which broke with the traditional ethnographic writing style of Griaule. Aug 6, 2015 - Explore william bailly's board "MICHEL LEIRIS" on Pinterest. University of Chicago Press. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the "secretary-archivist" for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. The novel and his numerous collections of poems all show his fascination with puns and wordplay and with the associative power of language. Ring in the new year with a Britannica Membership, https://www.britannica.com/biography/Michel-Leiris, The New York Times - Michel Leiris, 89, French Writer On Surrealism and Anthropology. Michel Leiris. [12] That year he also published Nights as Day, Days as Night [13](Eng. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the "secretary-archivist" for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Abstract. [8] Increasingly involved in politics, he took part in a mission to Côte d'Ivoire in the French colonies, in 1945. While associated with the Surrealists, Leiris published a collection of poems, Simulacre (1925; “Simulacrum”), and, in the late 1920s, wrote a novel, Aurora, published in 1946. Brent Hayes Edwards is a professor in the Department of English and … This article examines the role of blackness in the work of the French photographer Denise Colomb, who travelled to the Caribbean in 1948 as part of a (Eridanos Press, P.O. Leiris, while … Day of the Week: Saturday How Long Ago? Historically and culturally among the most important nations in the Western world, France has also played a highly significant role in international affairs, with former colonies in every corner of the globe. Between 1921 and 1924, Leiris met a number of important figures such as Max Jacob, Georges Henri Rivière, Jean Dubuffet, Robert Desnos, Georges Bataille and the artist André Masson, … Julien Michel Leiris (French: [lɛʁis]; April 20, 1901 in Paris[1] – September 30, 1990 in Saint-Hilaire, Essonne) was a French surrealist writer and ethnographer. Leiris studied at the Sorbonne (University of Paris) and at the School for Advanced Scientific and Religious Studies. Corrections? It pays particular attention to the narrative disjunctions at the centre of self-writing, to the principle of chance that gains in importance as the work unfolds, and finally attempts to offer an explanation for Leiris' unexpected return, in the final volume, to the surrealist notion of le merveilleux.Peter Poian Between 1921 and 1924, Leiris met a number of important figures such as Max Jacob, Georges Henri Rivière, Jean Dubuffet, Robert Desnos, Georges Bataille and the artist André Masson,[3] who soon became his mentor. His anthropological essays include L’Afrique fantôme (1934; “Phantom Africa”), Le Sacré dans la vie quotidienne (1938; “The Sacred in Everyday Life”), and Race et civilisation (1951; “Race and Civilization”). Some early treatises—such as those of Cicero on the…. Part of the Surrealist group in Paris, Leiris became a key member of the College of Sociology with Georges Bataille and head of research in ethnography at the CNRS.[2]. Bacon’s critical champion in Paris, who wrote the key essay in the exhibition catalogue, was the surrealist writer Michel Leiris, who was also a close friend of Picasso. The first recorded cry marks the moment at which the subject appears in language. Updates? In precarious mental health, Leiris temporarily abandoned literary life in 1929 and drew on his university training as an ethnologist to join the Dakar-Djibouti expedition of 1931–33. In 1926, he married Louise Godon,[6] the stepdaughter of Picasso's art dealer Daniel-Henry Kahnweiler[6] and traveled to Egypt and Greece. He also wrote an article on “The Ethnographer’s Eye (concerning the Dakar-Djibouti mission)” before setting off in 1930 as the secretary-archivist in Marcel Griaule's ambitious ethnographic expedition. In 1937, Leiris teamed up with Bataille and Roger Caillois to found the Collège de sociologie in response to the current international situation. (His fields of interest in anthropology ranged from bullfighting to possession in Gondar, Ethiopia.). Evans proposes that Leiris is not only a source of influence for … Leiris, while … In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the “secretary-archivist” for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Queen Victoria's Funeral February 2, … Phantom Africa is the diary that French writer and ethnologist, Michel Leiris, kept for almost two years, from May 1931 to February 1933. Upon his return to France he was employed at the Museum of Man (Musée de L’Homme) in Paris and resumed writing. (Centre national de la recherche scientifique) and published numerous critical texts[11] on artists he admired, including Francis Bacon, a close friend for whom he had modeled. Out of Stock All these subjects lay the groundwork for themes that will reappear throughout "Mors." ", Learn how and when to remove these template messages, Learn how and when to remove this template message, Déclaration sur le droit à l'insoumission dans la guerre d'Algérie, Centre national de la recherche scientifique, "Wenner-Gren Foundation for Anthropological Research", "ANDRÉ MASSON The Mythology of Desire: Masterworks from 1925 to 1945", "SIMULACRE by André Masson, Michel Leiris on William Reese Company", https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/research/index-of-cubist-art-collectors/leiris, "Algérie, Manifeste des 121. During this period, he was the secretary-archivist of the Dakar-Djibouti mission, an important ethnographic expedition financed by the French government, supported by several private donors, and organized by the University of … About April 20, 1901. Leiris, while … When Michel Leiris was offered, without any prerequisite experience, the position of secretary-archivist on a two-year ethnographic expedition across sub-Saharan Africa, he was a disillusioned poet seeking escape from the Parisian literary scene. In his article "Davis's Poetic Dialogue with Leiris's Autobiography" Jonathan Evans analyzes Lydia Davis's translation of the first two parts of Michel Leiris's autobiography, which shows an encounter between two writers. In 1930, Michel Leiris was an aspiring poet drifting away from the orbit of the Surrealist movement in Paris when the anthropologist Marcel Griaule invited him to serve as the secretary-archivist for the Mission Dakar-Djibouti, a major collecting and ethnographic journey that traversed the African continent between May 1931 and February 1933. Leiris was also a talented poet, and poetry was important in his approach to the world. When Michel Leiris died, in 1990, at the age of eighty-nine, the anthropologist Claude Lévi-Strauss wrote, in Libération, that Leiris was … Apr 19, 1901; Dates in History; Apr 21, 1901; What Happened in 1901. From the beginning of Bif fures, the first volume of Michel Leiris's autobiography La Règle du jeu, the history of the subject is the history of articulation. Leiris served as director of research at the National Centre for Scientific Research from 1935 to 1970. While every effort has been made to follow citation style rules, there may be some discrepancies. Michel Leiris. Box 211, Hygiene, Colo., Cloth, $22; Paper, $13.) A Cor et à cri by Michel Leiris 6 copies: Order: The Apple in the Dark by Clarice Lispector 165 copies, 1 review: Order: Nights As Day, Days As Night by Michel Leiris 74 copies, 3 reviews: Order: Letters: Summer 1926 by Marina Tsvetayeva 175 copies, 1 review: Order: Concrete by Thomas Bernhard 607 copies, 10 reviews: Order: Façons d'endormi, façons d'éveillé by Henri … Michel Leiris, (born April 20, 1901, Paris, France—died Sept. 30, 1990, Saint-Hilaire), French writer who was a pioneer in modern confessional literature and was also a noted anthropologist, poet, and art critic. 7 Michel Leiris, La Règle du jeu: Biffures (Paris, Gallimard, 1948) (abbreviated t h r o u g h o u t to Bi); Fourbis (Paris, Gallimard, 1 9 5 5 ) (Fo); Fibrilles (Paris, Gallimard, 1966) (Fi); Frêle bruit (Paris, Gallimard, 1 9 7 6 ) (FB). The journal is now the journal of anthropology and museology of the Musée du quai Branly (Paris, France). Manhood: A Journey from Childhood Into the Fierce Order of Virility. Michel Leiris: Writing the Self Seán Hand.
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